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FORTHCOMING

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Machin-Autenrieth, Matthew. In Press, 2021. 'Ziryab and Us: Tradition and Collaboration in the Interpretation of an Arab-Andalusian Musical Myth', The Journal of Intercultural Studies (accepted for publication). 

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Elbaz, Vanessa Paloma. In Press, 2020. 'Rôle identitaire du chant des juifs et juives dans la société marocaine' in Hommage à Haim Zafrani, Rabat: Académie du Royaume.

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Machin-Autenrieth, Matthew. In Press, 2020. 'The Dynamics of Intercultural Music Making in Granada: “Everyday” Multiculturalism and Moroccan Integration'. Ethnomusicology. 

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Elbaz, Vanessa Paloma. In Press, 2020. 'Connecting the Disconnect: Music and its Agency in Moroccan Cinema's Judeo-Muslim Interactions' in Dynamic Jewish-Muslim Interactions across the Performing Arts in the Maghreb and France, 1920-2020. Liverpool University Press, Francophone Postcolonial Studies (ed. Samuel Everett and Rebekah Vince).

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Elbaz, Vanessa Paloma. In Press, 2020. 'Thomas Binkley's Influence: 25 Years On.' EARLY MUSIC.

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Wilford, Stephen. In Press, 2020. ‘Musical Pathways Through Algerian London’ in Geography, Music and Space. Jenny Stanford Publishing. (ed. Samuel Horlor and James Williams).

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Wilford, Stephen. In Press 2021. '‘The Algerian Woman is Very Strong’: Music, Identity and Gender in Algerian London’, in The Routledge Handbook on Women’s Work in Music. Routledge (ed. Rhiannon Mathias)

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Elbaz, Vanessa Paloma. In Press 2021. 'A Common Language: Popular Musicin Morocco' in Uncommon Commonalities: Jews and Muslims in Morocco. Lexington Books (ed. Jane Gerber, Joseph Chetrit and Drora Arussy).

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2020
 

Llano, Samuel. 2020. 'Flamenco as Palimpsest: Reading through Hybridity'. in Transnational Spanish Studies. Eds. Catherine Davies and Rory O’Bryen. Liverpool: Liverpool University Press, 161-175

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Elbaz, Vanessa Paloma. 2020. 'We Are Not Gold Coins: on the death of Rachel Muyal doyenne of Moroccan Jewry.' Tablet Magazine.

 

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Machin-Autenrieth, Matthew. 2020. 'Flamenco for Andalusia, Flamenco for Humanity: Regionalization and Intangible Cultural Heritage in Spain' in Cultural Mapping and Musical Diversity, ed. by Britta Sweers and Sarah Ross (Equinox).  

 

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 Daniele Conversi and Matthew Machin-Autenrieth. 2020. 'The Musical Bridge—Intercultural Regionalism and the Immigration Challenge in Contemporary Andalusia', Genealogy, 4(1). Open access.

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Elbaz, Vanessa Paloma. 2020. 'Interroger un monde disparu: L’exposition Exils au Musée de la foundation du patrimoine judéo-marocain à Casablanca.' in Exils paradigme fertile. Casablanca: Malika Editions. Ed. Nadia Sabri.

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Elbaz, Vanessa Paloma. 2020. 'Maison-Mère, Foyer et Tradition dans les exils des juifs marocains'

in Exils paradigme fertile. Ed. Nadia Sabri. Casablanca: Malika Editions.

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2019

 

Machin-Autenrieth, Matthew. 2019. 'Music and the Battle for Granada's Past', Shorthand Story for the University of Cambridge (co-authored with Tom Almeroth-Williams).

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Elbaz, Vanessa Paloma. 2019. 'Por Qué No Cantais, La Bella? Reading Women’s Agency into the Sephardic Musical Canon' in The Patriarchy Issue, Association for Jewish Studies Magazine, Perspectives: Spring Issue.

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Machin-Autenrieth, Matthew. 2019. 'Spanish Musical Responses to Moroccan Immigration and the Cultural Memory of al-Andalus' Twentieth Century Music, 16(2): 259–287.

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Wilford, Stephen. 2019. Review Article: ‘Islam and Popular Culture’ (Karin Van Nieuwkerk, Mark Levine and Martin Stokes, eds.) Ethnomusicology Forum, 28(1): 122-125.

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2018

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Machin-Autenrieth, Matthew. 2018. 'Hong Kong to Enjoy Fusion Flamenco Ballet Dance Extravaganza', South China Morning Post. 

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